Africa+Media= priceless

With age comes sensibility and….

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odd moments, where you’re confronted with your own reality and wonder if Alain de Button was correct when he said:

We dislike most people too much to do them the honour of arguing with them.

I made a promise to some friends to start writing again. Regardless of my lack of digital discipline or my offline ADHD lifestyle, I think way too much to not be sharing. And since sharing is caring became my new ‘Kumbaya-licious motto’, there’s absolutely no way to not live up to my words. A summer later, and a rain too short, I come to the conclusion that I fit Alain’s statement like a glove. This doesn’t mean, that more positive adjectives or superlatives couldn’t describe my experience in a nutshell, because they can. In fact, new worlds opened to me between century old trees while I listened to the Black Keys’ ‘Too Afraid to Love You’ on my phone.

It’s heaven on earth
In her embrace
Her gentle touch
And her smiling face (Too Afraid to Love)

Some days, it was truly heaven on earth, the smiling faces beamed gratitude and other days, the dark clouds added a few wrinkles to my face, but music always saved me a smile on the side. And if I have to give shout outs to something and someone. I must acknowledge the soundtrack to my summer; Brothers by the Black Keys, by far the most refined, raw, satin-like poetry set to music I have consumed this summer.

A sinister kid is a kid who
Runs to meet his Maker
A drop dead sprint from the day he’s born
Straight into his Maker’s arms
And that’s me, that’s me
The boy with the broken halo
That’s me, that’s me
The devil won’t let me be (Sinister Kid)

At the start of the Ramadan, one shouldn’t associate themselves with anything sinister, but this song touches my inner evilness and if it wasn’t for my lack of (any) editing or film making skills, I would have been making the video to this song, RIGHT NOW.

Rumble in the Jungle 2.0.

http://www.vimeo.com/8907715

Music artists are exploring and expanding their artistic reach, after all an album is not enough anymore. A great example, which has been on rotation since last week, is Baloji’s ‘Karibu Ya Bintou’. A story set in the streets of Kinshasa, Congo, in the spirit of the great Muhammed Ali’s classic ‘Rumble in the Jungle’. This sounds like the perfect movie for a beautiful summer night, so let’s hope Baloji builds the story to something which surpasses the 4 minutes and stills our hunger for a new 21st classic set in Kinshasa.

Petals of Blood

Back in 99, I came across Ngugi’s Petals of Blood in a tiny bookstore in an even tinier town in the Netherlands. It was during a time, where I was piecing together my identity and practicing the art of identifying me in the mirror (JOKE).

Back to Ngugi: Ngugi has seen many different faces of Africa; tribalism (disgusting word), happiness, corruption, activism, (neo) colonialism etc. Faces, which made him and many other like minded people, disappear or exiled to promised lands such as America or UK. His lifetime spans much of what Africa has experienced in the past century.

I find his work deeply political, deeply engaging and deeply provoking.  Even though he’s hailed across the globe, I believe my generation of twenty-something Afropops, is not familiar with his fiction or drama. Forget those who are born after the world cup in Germany.

My obsession with collecting interviews comes in handy. Especially since I saved a great (but lengthy) interview with Ngugi. In this particular article he discusses oral tradition, performance and Africa.

So, I’m sitting here and typing these words…I think it is time to start a petition for big name rappers to use more often the titles of African literati to promote great work. I mean how cool would it be if Jay-Z’s next song featuring a hip white band ala  Hot Chip rocked the title ‘Petals of Blood’?

Repost: the beauty of perception

I wrote this entry eons ago, but sadly enough it is still relevent in today’s world.

How ironic! New ad campaigns to market Africa’s’ intellegence has been gaining ground by winning an award. Say good bye to the beloved imagery of starving & dying Africans and welcome to the fancy photoshopped Maasai or Khoi-san (Bushmen) proclaiming his greatness.

However this particular ad campaign is a great example of what Chinua Achebe is speaking off in the quote below:

“People go to Africa and confirm what they already have in their heads and so they fail to see what is there in front of them. This is what people have come to expect. It’s not viewed as a serious continent. It’s a place of strange, bizarre and illogical things, where people don’t do what common sense demands.” Chinua Achebe

Secondly not to knock off the creative and original idea of portraying Africans in a different light, it is still feeding the idea/perception that Africans need donations to gain acces to civilisation.

In conclusion, my inner consumer is not convinced that due to my donation Mr. Masai will receive a key to the kingdom of civilisation.

The beauty of perception

How ironic! New ad campaigns by Kamiteit foundation to market Africans’ intellegence has been gaining ground by winning an award. Say good bye to the beloved imagery of starving & dying Africans and welcome to fancy photo shopped Masai proclaiming his greatness.

However this particular ad campaign is a great example of what Chinua Achebe is speaking off in the quote below:

“People go to Africa and confirm what they already have in their heads and so they fail to see what is there in front of them. This is what people have come to expect. It’s not viewed as a serious continent. It’s a place of strange, bizarre and illogical things, where people don’t do what common sense demands.” Chinua Achebe

Secondly not to knock off the creative and original idea of portraying Africans in a different light, it is still feeding the idea/perception that Africans need donations to gain access to civilization.

In conclusion, my inner consumer is not convinced that due to my donation Mr. Masai will receive a key to the kingdom of civilization.